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The
Book :
This comprehensive study of the 'makers' of Indian English
Literature ranges from the sporadic but landmark voices
of the nineteenth century to the spurting creativity
in the post-Rushdie, contemporary scenario. The contributors,
unswayed by the increasing threat of publisher - media
offensive to appropriate the critical function, firmly
adhere to the time-tested tradition of explorations.
They interrogate inflated reputations, underscore unnoticed
achievements, and probe the mush contested inadequacy
of Indian English Poetry and the paucity of Indian English
Drama. The literary discourse is largely focused on
tradition and avant-garde, indigeneous roots and Western
influences, colonial and post-colonial perspectives,
and self-indentity and heterogeneity (even hybridity)
in Indian English Writing. The volume also investigates
the problematic of using the English language to filter
and Indian experience, especially in terms of departures
from Standard English constructions, semantic neologisms,
nativization of the language, and cross-cultural significations.
It scrutinizes the three alternative of transcreation,
etymological use and transliteration for moulding the
English language into an Indian cast. Despite an increasing
number of 'unmaker's of Indian English in Indian society
(as argued in the last essay), the book paradoxically
posits how the Indian English Writing has come alive
as a vibrant, autonomous constituent of contemporary
international English.
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The
Contributors :
C.D. Narasimhaiah, Mulk Raj Anand, Meenakshi Mukherjee,
N. Eakambaram, Sudhakar Marathe, C.N. Srinath, G.S.
Balarama Gupta, Shyamala A. Narayan, V.M. Madge, C.P.
Ravichandra, K.C. Belliappa, C.N. Ramachandran, H.S.
Shiva Prakash, P.K. Rajan, S. Ramaswamy, Hutoxi G. Wadia,
Anjali Roy, A.S. Dasan, et al.
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The
Editor :
C.D. Narasimahaiah, educated at the Universities of
Mysore and Cambridge, was Professor of English at the
University of Mysore from 1950 to 1979. Reckefeller
Fellow at Princeton (1949-50) and Fulbright Visiting
Lecturer at Yale (1958-59), he was Visiting Professor
at several universities, including Leeds (U.K.), Texas
(U.S.A.), Queensland and Flinders (Australia). He is
currently Director, the Library Criterion Centre for
English Studies and Indigenous Arts, Dhvanyaloka, Mysore.
Pioneer of American Literature studies in India in the
fifties and sixties and of Commonwealth Literature studies
in the seventies, Professor Narasimhaiah has authored
numerous research articles and edited over a dozen books
published, among others, by Macmillan and Oxford University
Press. His major book-length studies include The Swan
and the Eagle, Jawaharlal Nehru, Raja Rao, Writer's
Gandhi, Moving Frontiers of English Studies in India,
and Indian Critical Sence : Controversial Essays. Professor
Narasimahaiah was elected (Global) Chairman, Association
for Commonwealth Literature (1974-77), and President,
All India English Teacher's Conference (989). Awarded
Padma Bhshan by the Government of India in the year
1990, he ranks among the most sensitive, bold, and distinguished
scholar-critics of India.
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This book is in the right direction in trying to evaluate
a hundred years of Indian writing in English in an Indian
ethos. All the hallowed names have one or two papers devoted
for them in the book. |
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The
Hindu
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is a laudable effort and a necessary inclusion in the
growing number of critical volumes on Indian writing in
English. |
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Indian
Review of Books
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